The Line-up for May 17th, 2013

The Line-Up for 17 May 2013

Anthony Dean-Harris

Editor-in-Chief

anthony.deanharris@nextbop.com / @i_ADH

This is another one of those situations where I didn’t have that many ideas when walking into the station but came out with a pretty great show. Really, this past Friday was a particularly great radio day in many different respects. This hour was just a tip of the iceburg.

The Line-Up for 17 May 2013

Marquis Hill – Clearfield’s

Friday was pianist Josh Moshier’s birthday and his work on this song with trumpeter Marquis Hill is my favorite of his. Wishing him all the best.

Ufsp – Ends Well

Gregory Porter – On My Way to Harlem

Last week, Blue Note Records announced Porter’s signing to the label Congrats! There’ll be a lot more awesomeness to come from this team up.

Will Calhoun – King Tut Strut

Calhoun’s new album, Life in This World, is doing quite well and receiving a lot of praise at KRTU.

Captain Murphy – Between Friends

Wheelhouse – Song Heaven

Saxophonist Dave Rempis will be swinging through Texas in the first week of June with his Percussion Quartet. Their new album, Phalanx, while good, does not have a single song shorter than twenty minutes in length, so it’s not so radio friendly. His other group, Wheelhouse, also has a new album out that works a bit better. I might still make some room for Phalanx in the next couple weeks, though. We’ll see.

(U)nity – The Chase of Benjamin Franklin

This track was maybe the one predetermined choice I had for this week’s show. It’s pretty great.

Ufsp – Moth Man

Geof Bradfield – Randy Weston

Have you checked out Alex Marianyi’s FYC of the new Geof Bradfield album. You should check it out.

Darcy James Argue’s Secret Society – The Neighborhood

Still showing Brooklyn Babylon some love.

Nujabes – Tsurugi No Mai

Jesse Fischer & Soul Cycle – Digital Savanna

The same can be said for Retro Future with what is possibly one of my favorite songs of the year so far.

The Line-up for May 10th, 2013

The Line-Up for 10 May 2013

Anthony Dean-Harris

Editor-in-Chief

anthony.deanharris@nextbop.com / @i_ADH

This week’s show has a bit of a reaching for the back benches kind of vibe. I get a lot of mail from a lot of musicians– some I listen to, some I just don’t have the time for, and sometimes I hear something but don’t fit it into the show for quite some time… until a show like this.

The Line-Up for 10 May 2013

J. Wesley Haynes Trio – Kid A

The concept of versioning all of Kid A is rife with the kind of ambition one could only expect from an Austin band.

Captain Murphy – Between Friends

Phronesis – Charm Defensive

Happy birthday, Jasper Høiby of Phronesis!

Luke Celenza – River Rhodes

I’ve had pianist Luke Celenza’s album, Back and Forth, for I don’t know how long now. I’ve kept it in rotation for a little while but didn’t feel strongly compelled to play it on air of give it a quick write up until now. Every now and then, though, I’ll run across it and really enjoy it. It may be a sleeper album for me. Perhaps it should be for you, too.

Butcher Brown – Cali Riding

Gilad Hekselman – Above

I may love this track from This Just In the most.

Louis Fouché – Silver Lining

I’ve also had saxophonist Fouché’s EP, Subjective Mind, for a while, too. I did hip y’all to that one some time back, though. Now it finally makes its Line-Up debut.

Teebs – Bleep

Will Martina – Little Meow

When’s the last time I played cellist Will Martina? Finding room to play a cellist on this show can be a bit tough.

Ben Wendel & Dan Tepfer – Line-Up

I had a little window of time in the show that needed filling. Fortunately, I hadn’t played this song in a little while.

Joshua Redman – Stop This Train

Have we added John Mayer’s “Stop This Train” to the Great American Songbook yet? This certainly isn’t the only cover I’ve heard of it and the song isn’t even that old.

Mo Kolours – Tusk Dance

Iron and Wine – Low Light Buddy of Mine

My ongoing quest to hype the very jazzy Ghost on Ghost continues.

Butcher Brown – 1975

My ongoing adoration of Butcher Brown also continues. Besides, I had a little time left.

The Line-up, April 26th, 2013

The Line-Up for 26 April 2013

Anthony Dean-Harris

Editor-in-Chief

anthony.deanharris@nextbop.com / @i_ADH

It’s muggy in San Antonio. I’ve got a cold and I don’t feel like my head is in the game. I’m falling behind on all kinds of stuff. We’re going a little lower energy this week. Nevertheless, when do I take this show low energy? That’s got to be an interesting change up in itself.

The Line-Up for 26 April 2013

Dayna Stephens – Dah Dot Dah

I’m still hyping the new releases and Dayna Stephens’ That Nepenthetic Place is certainly worthy of such hype.

Rel – Heart Beat On It

Darcy James Argue‘s Secret Society – Missing Parts

Today’s the last day Brooklyn Babylon is streaming at NPR, but now you have the chance to buy the album to enjoy for yourself.

Christian McBride & Inside Straight – Gang Gang

I’ve been waiting for this album for a little while now ever since I saw McBride come to town a couple months ago. It was a great evening wherein he and Inside Straight laid out some new material. Now we finally have this material for posterity’s sake.

Radiohead – Climbing Up the Walls (Zero 7 Remix)

Gilad Hekselman – Nothing Personal

New and mellow is the theme for the week and this Hekselman track fit the bill.

Uri Gurvich – Camelao

This Uri Gurvich track isn’t as mellow but it’s certainly new. BabEl is out now!

Pazes – Etacarinae

Eldar Djangirov – Morning Bell

About a week or so ago, I heard this song playing on the air at just the right time to spur me into copping the album. I’m a sucker for a Radiohead cover.

(U)nity – Creepin’

It’s a bit of a jolt to get used to this song with such an irregular beat but it pays off.

Butcher Brown – The River

I’m not often one to play softer tracks on the show but this song demanded it. I knew I’d find the right show for it at some point. Butcher Brown is great for all occasions.

Nujabes – The Space Between Two Worlds

Eddie Moore and the Outer Circle – Houston Vision

I’ve been enjoying The Freedom of Expression but haven’t played enough of it on the air. Also, Moore started following me on Twitter which brought his work back to mind. Also, I needed a mellow closer.

Beastie Boys – To All The Girls

I was under time this week and this felt like the perfect filler.

The Line-up April 19th, 2013

The Line-Up for 19 April 2013

Anthony Dean-Harris

Editor-in-Chief

anthony.deanharris@nextbop.com / @i_ADH

I would have attempted a 4/20 playlist for tomorrow but day-specific playlists are hard. Also, I felt this to be a particularly strong week of music releases posted on Nextbop and wanted to compile them into an hour. Seriously, it’s been a good week musically.

The Line-Up for 19 April 2013

Brad Mehldau Trio – Everything In Its Right Place

This was the last possible plug for the Mehldau/Thile show on (what is now, last) Saturday so I gave the 1 spot to my favorite Mehldau Radiohead cover ever. It’s perfect in every way.

Skalpel – Long Distance Call

Gerald Clayton – Shadamanthem

Life Forum is a go-to album in every way and will be for a while.

Portico Quartet – Ruins (Live)

Live/Remix is, too.

Demian – Out of Green Ink; Dyo

Some time last week, I saw Hiatus Kaiyote tweet that they were going to be on an Australian radio show playing songs they liked. I figured I’d check it out and that pointed me to HK’s compatriots at Wondercore Island. Their mixtape is really worth checking out.

Bonobo – Jets

Darcy James Argue’s Secret Society – Prologue

Darcy James Argue’s Secret Society – The Neighborhood

As good as Brooklyn Babylon is, it’s best as a cohesive whole. I felt giving you the first two tracks together can show where this album I going. However, if you want to hear the whole thing, NPR’s First Listen has you covered until the albums April 30th release date.

Teebs – Your Favorite Weekday

Darryl Reeves – Butterfly

I’ve been playing The Herbie Sessions a lot this last week. It’s too fun a listen.

(U)nity – D’Axels Dream

I’ve been paying attention to (U)nity for a while now and have waited for their debut EP for a good little minute. Now that it’s out, there’s no reason why you shouldn’t have it.

UFSP – Chill Mode

Iron and Wine – Lover’s Revolution
I’ve always loved Iron and Wine, every nook and cranny of Sam Beam’s career arc, so I loved the move forward made with Ghost on Ghost. I was playing the album constantly for a week before I looked at the album credits to discover Beam corralled drummer Brian Blade on the album. I was downright astounded. I didn’t think I could have even more respect for this act.

The Line-up April 12th 2013

The Line-Up for 12 April 2013

Anthony Dean-Harris

Editor-in-Chief

anthony.deanharris@nextbop.com / @i_ADH

We’ve reached the end of a long, tiring, but successful membership drive at Jazz 91.7 FM and we have you to thank, unless you didn’t pledge. Then you get half thanks for listening and maybe telling your friends, but becoming a member is good, too. Do that by heading to http://join.krtu.org.

The Line-Up for 12 April 2013

Darryl Reeves – Donut Man

I had the idea of giving Herbie Hancock a bit of a birthday set but through putting his influence in focus a bit. Nothingtoo flashy but nothing too direct.

Teebs – _for Phil

David Weiss & Point of Departure – I Have a Dream

Venture Inward is hands down the best, most interesting PosiTone label release I’ve ever heard.

Herbie Hancock – Edith and the Kingpin feat. Tina Turner

I heard this song on the radio earlier in the weeek and fel or it all over again. It’s just too cool and practically perfect in every way. T taught me to fall for guitarist Lionel Loueke before I even knew who he was.

Rel – Welcome

Johnathan Blake – The Eleventh Hour

Blake was drumming for pianist & NEA Jazz Master Kenny Barrn in San Antonio on Friday night. I’m disappointed I didn’t have the chance to see him.

Brad Mehldau & Kevin Hays – Generatrix

However I will get to see the upcoming Brad Mehldau/Chris Thile show at Austin’s Paramount Theater this Friday, April 20th. 16-year-old me who fell for Mehldau (and modern mainstream, non-smooth jazz at tis point) a decade ago is freaking out. 20-year-old me who fell for the Punch Brothers is really glad to see Thile again after last year’s SouthBy.

Space Ghost – 3 Weeks

Gilad Hekselman – March of the Sad

Have you copped This Just In yet? It’s out now, you know.

Butcher Brown – We Walk Tall

I’m just wearing out Butcher Brown, at least as much as one can wear out freely downloaded mp3s.

Butcher Brown – Cali Riding

Toro Y Moi – Sweet

Dayna Stephens – Common Occurrences

Doesn’t it seem like a Dayna Stephens solo album has been a bit overdue. Finally, his time has come.

The Line-up for April 5th, 2013

The Line-Up for 5 April 2013

Anthony Dean-Harris

Editor-in-Chief

anthony.deanharris@nextbop.com / @i_ADH

It’s maybe one of my favorite times of year– Jazz 91.7 FM spring membership drive time! I get to hang out at the station more than usual and really feel like I earn my keep. That and I am somehow more chipper than I am in any other context. Hopefully, that energy is conveyed in this week’s show which still comes with great new music. Of course, this is all possible with funding from listeners like you, so make sure to pledge your support at http://join.krtu.org.

The Line-Up for 5 April 2013

Jon Wirtz – Politico

As Friday rolled around, I realized Jon Wirtz’ Tourist drops next week. I felt folks needed to be reminded of this fact.

UFSP – Lovely Lady

NEXT Collective – Africa

We’re four months into 2013 and pianist Gerald Clayton is prominently featured on three albums already. Clayton very quietly made this his year.

Terri Lyne Carrington – Very Special

How good is Money Jungle: Provocative in Blue? It’s an album that work in its own ways.

Gerald Clayton – Future Reflection

Clayton has another good ‘un on his hands. Life Forum is the clear expansion of his sound and it sounds completely natural for him. Shout out to Kneebody’s Ben Wendel who produced the album, also.

Tycho – A Walk

Harvey S & Kenny Barron – Creepin’

Much like this song’s name, Kenny Barron’s upcoming show at the Carver on April 13th creeped up on me. There’s still enough time to talk it up, though.

Pat Metheny & Brad Mehldau – Ahmid-6

I appreciate the opportunity to talk up the upcoming Brad Mehldau/Chris Thile show at Austin’s Paramount Theater on April 20th because I had to figure out what duo song would be fit to play. I’m pretty happy I got to dust off 2006′s Metheny/Mehldau, an album that meant quite a bit to me back in college. Mehldau’s been doing a lot of duo shows lately; likely, they’re just as captivating as this.

Jonti – Pássaros

Kendrick Scott Oracle – Too Much

…And in the running for the “Oh, No He Didn’t Just Cover That” But It Still Works Award is Kendrick Scott & Alan Hampton for their version of Sufjan Stevens’ “Too Much”.

Portico Quartet – Steepless feat. Cornelia (Live)

I’ve had Live/Remix on repeat since I got it. It’s out now so there’s nothing stopping you from doing the same.

Teebs – Bleep

Bonobo – Cirrus

Butcher Brown – All I Know

I’ve also still been playing Butcher Brown’s B-Sides a lot since it dropped. This group is pretty amazing. They’re hard to let go.

Lalah Hathaway and All of the Cool That She Brings

 Lalah Hathaway, Photo by Cognito #CultureCaptureChamps©

–Jamie Moon, Contributing Writer

When Lalah Hathaway sings on “I’m Coming Back,” “I’m coming back just to give you my love, loving you is the best thing I can do,” in an effortless yet enchanting croon, you might just find yourself waiting deep in the bowels of your past romances, waiting for just one of them to return. Reminiscent of her father and late R&B icon Donny Hathaway, she fastens you in a trance and you are victim to her heartfelt lyrics. Where her father’s voice was the all-liberating pillar that vocalized the coarse range of love and life, Lalah is the consoler, and the soul aid whose classically trained voice cocoons the softest emotions.

However, untethered to legacy of her father, Hathaway has always been comfortable doing her own and standing on her own over the course of her career. While R&B music’s bass and beats have shifted in and out of different trends, Hathaway has maintained her signature sound throughout all of her six albums. Fitting in, covering her father’s songs, and, at times, adjusting her singing styles to what the current industry demands, has never been on her list of priorities.

There’s not too much of a difference between early 1990’s selections like “Heaven Knows” and newer projects like 2011’s album Where It All Begins, where Hathaway matches herself up with legendary jazz vocalist, Rachelle Farrell on the blushful duet, “I’m Coming Back,”–a sweet, echoing update on Hathaway’s original from 23 years ago. We still get the same relaxed beats and R&B and jazz-inspired melodies, but only with double the harmonizing.

While she has experimented with more mid-tempo songs like “Let Me Love You” the opening track from her second album A Moment , her other well-received songs are “I’m Coming Back” and “Forever, For Always, For Love“–two slow jams that could push even the most rigid people into an inevitable, sentimental sway, which is also captured on her collaboration with jazz ace Robert Glasper for a cover of the original Sade classic, “Cherish The Day.”

Although she may have kept fans waiting impatiently between each album, Hathaway has always been an avid performer, touring with a diverse selection of artists from jazz staples George Benson, David Sanborn, and Marcus Miller, Mary J. Blige to soul stalwarts like Carl Thomas, Angie Stone and Prince. Moreover, with every album she does release, her fans remain as supportive as ever. Her single, “Forever, for Always, for Love,” for example, peaked at #1 on the Hot Adult R&B airplay after her five-year hiatus.

When Chicago native and Berklee College of Music alum Hathaway isn’t performing she’s busy collaborating with other influential artists such as Ernest Green, James Day, Terrence Lilly, Dave Young, and more, producing and writing songs. For a while, she toured with Daughters of Soul–a group of women (Syleena Johnson, Simone, Indira Khan, and others) who were either all raised or influenced by soul music pioneers such as Donny Hathaway, Nina Simone, and Chaka Khan. Although “mainstream” is the last word one would use to describe Hathaway, she has most definitely earned the respect and status of R&B artists everywhere.

Like her father, she continues to paint a legendary accomplishment in her art—timeless music. Yet, while her father’s musical influence has certainly guided her style and voice today, Hathaway has still been able to carve out a distinct sound and R&B identity for herself through her soulful, self-searching, and genuine lyrics. She powerfully delivers anguish and hope, love and despair, in a magnetic and engaging performance.

 

 

Kobie Watkins :: Broad Street Cafe :: Third Friday March 2013

Drummer, percussionist and composer Kobie Watkins assembled some of the best local talent for a great jazz event last night at the Broad Street Cafe!

Kobie Watkins is from Chicago, Illinois. He has cultivated dynamic relationships with his peers in and out of the Jazz, Latin, and Gospel community as a drummer, percussionist and a mentor.

Living out his commitment to the music he holds a long list of great musicians he has played and recorded with- jazz legend Sonny Rollins, Curtis Fuller, Arturo Sandoval, George Coleman, Ira Sullivan, Sonny Fortune, including Kurt Elling, Fred Anderson, Ari Brown, Willie Pickens, Bobby Broom, Orbert Davis, Ken Chaney, Ron Perrillo, Bethany Pickens, Ryan Cohan, Dennis Winslett, Jarrard Harris and James Austin. Additionally, Gospel singer Kim Burrell, R&B and Neo Soul artists Julie Dexter, Javier, Kendra Ross, Chris Robinson, and many others. Kobie has toured extensively in Africa, Europe, Asia, Canada, South America and the United States.

Joining Kobie last night were:

Brian Horton – is a composer, saxophonist, producer and jazz educator from Kinston, North Carolina. He graduated from North Carolina Central University with a BA in jazz performance in the spring of 1997. Two years later he obtained his MA at the Aaron Copeland School of Music in Queens, New York under the direction of Jimmy Heath and the late Sir Roland Hanna. Since that time he has kept a steady balance of work as a bandleader, sideman and composer/arranger for such renowned jazz musicians as Hanna, Winard Harper, Louie Bellson, Clark Terry, Delfaeyo Marsalis and others.

John Brown – John Brown is a well established, GRAMMY-nominated bassist and is the Director of the Jazz Program at Duke University. He has performed all over the world with artists like Elvin Jones, each member of the Marsalis family, Nnenna Freelon, Rosemary Clooney, Nicholas Payton, Mark Whitfield and has performed regularly with the North Carolina Symphony since 1992. He recently performed in Hawaii for President & Mrs. Obama, and each of his recordings has reached the Top 40 on the national Jazz Week chart.

Lovell Bradford – Adjunct professor of piano at Davidson College ( Go Cats! Maybe I should disclose that I studied Music and Art at Davidson) who is well known and played on a number of top recordings in both the Gospel and Jazz traditions.

Al Strong – Al Strong is a Washington, D.C. native trumpeter, arranger, and composer. Since he first emerged on the scene in 1998 as a jazz studies major at NCCU, Strong has been an up and coming artist in jazz. He is an integral figure in the current local jazz scene having performed/recorded for local artists such as Mavis Swan Poole, Yahzarah, Peter Lamb and the Wolves (Voted 2011 Best Jazz Band in the Triangle), Clay Aiken, Big Daddy Kane, Orquesta Gardel, The Beast, and Zakiyah.

The groove was energetic and tight from the first number. After the first couple of numbers I think everyone was worried like me that the guys would run out of steam if they kept up the blistering pace they set. Fortunately that was not a problem and the energy and playing remained strong throughout, if anything getting more nuanced as the evening went on!

The crowd was really tuned into the guys’ playing and there were many spontaneous outbursts of applause as they fed off of each others improvisations throughout the show.

It was also great to see many Art of Cool Project regulars in the house. Nice photobombing Mr. Waddie!

Just when we thought it was as good as it gets, Al Strong stepped onto the stage and took the whole enterprise to a new level!

Thank you to Kobie, John, Brian, Lovell and Al for a special night of music and as always to John and Anna for hosting us at Broad Street Cafe. Another huge thanks to all of our volunteers, members and show patrons who have a huge positive impact on live music performance offerings in the Triangle!

Photos and Essay :: Frank Myers
Frank Myers is a member of the board of directors for the Art of Cool Project who makes regular contributions of photography and art inspired by the talented performers associated with the Art of Cool Project. Check out his blog at Sweet Life Studios to see more of his Art of Cool work.

The Line-Up for March 1, 2013

The Line-Up for 1 March 2013
Anthony Dean-Harris
Editor-in-Chief
anthony.deanharris@nextbop.com / @i_ADH

Everything is building toward next week’s party, so that’s where my mind is. Still, it’s a good show this week.

The Line-Up for 1 March 2013

Darryl Reeves – Donut Man
I spent a lot of last week playing music from Darryl Reeves and a lot of folks have spoken quite highly of this track in particular.
The Remix Project – Electric Relaxation
Ben Wendel & Dan Tepfer – Still Play
Small Constructions is a downright playful album.
Ian Carey Quintet +1 – Nemuri Kyoshiro
There’s much that I enjoy from Carey’s Roads and Codes.
Teebs – Bleep
Jesse Fischer & Soul Cycle – Digital Savanna
I may or may not have jammed out in my kitchen last week to this song. Maaaaybe.
Darryl Reeves – Retrograde
This song, too. There’s just something about the vamping on the songs in this set.
Trade Voorhees – Stoned Soul
BADBADNOTGOOD – UWM feat. Leland Whitty
Next week’s Line-Up will all be songs from folks playing the Jazz for the Masses Party on March 13th. I thought for a moment to save this track for next week’s show since it’s my favorite BBNG track. Now I’m not quite sure what I’ll do, but I like the prospect of figuring it out.
Hiatus Kaiyote – The World It Softly Lulls
I’m definitely saving my favorite Hiatus Kaiyote track for next week, but that doesn’t make this song any less great.
THEESatisfaction – Stars Set In
Yaron Herman Quartet – From Afar
I felt like tapping this well again.
Mark de Clive-Lowe & Rotterdam Jazz Orchestra – Heaven
Thanks to MdCL for catching my shout out last week since I didn’t have Take the Space Trane and sending it my way so I can have the chance to share more of it with all of you.
Teebs – _for Phil
Dosh – Wolves
This was certainly a bit of an outside selection but the party next week may be a bit of an outside show, so this should all be rather interesting.

The Line-up for February 22nd, 2013

The Line-Up for 22 February 2013
Anthony Dean-Harris
Editor-in-Chief
anthony.deanharris@nextbop.com / @i_ADH

My mind is mostly on getting the Jazz for the Masses Party on March 13th together. How this show came to be and as good as it is is beyond me. There’s just a lot of talented musicians out there.

The Line-Up for 22 February 2013

Ian Carey Quintet +1 – Count Up
I had gotten Roads & Cones a few weeks ago but in my inbox it sat. Now upon its release, I figured it was time to let it out and give it a chance.
Flying Lotus All the Secrets feat. Austin Peralta
Nadje Noordhuis – Le Fin
Noordhuis’ album is another release I’ve been sleeping on that I need to give its due attention.
Bob Reynolds – Can’t Wait for Perfect
This was the only track the computer place in the hour that I decded to keep. Reynolds recently released some more live recrdings that are also worth checking out.
Mostly Other People Do the Killing – Yo, Yeo, Yough
Oddly enough, this is the second track from MOPDtK’s Slippery Rock that I’ve played on the show even though it’s their first “single”.
MF DOOM – Licorice
Poyser, Riggins, Jackson – Funky Butt
Daniel Ori – Back It Up
As I was putting this show together, I had a two and a half minute hole that needed filling. I ran across bassist Daniel Ori and now I must know more about this dude.
NEXT Collective – Fly or Die
Cover Art finally graces the world this week. Are you ready for it?
Beastie Boys – Multilateral Nuclear Disarmament
Darryl Reeves – Star of Detroit
I’ve been playing Darryl Reeves like crazy lately. Listen to this and you can see why.
Chris Dave – Afrika… I Freak Her
If you haven’t copped the Chris Dave and the Drumhedz Mixtape, stop being a fool.
Teebs – _for phil
Mark de Clive-Lowe & the Rotterdam Jazz Orchestra – Take the Space Trane
This is a great track, isn’t it? You should get Take the Space Trane. In fact, this is the only track from the album that I have. Why don’t I have this album?